Monday, January 20, 2020

 
6 Things I Learned at the 2020 Big Beers Festival

Once again, the variety and complexity of flavors poured at this year's Big Beers, Belgians and Barleywines Festival - which celebrated its 20th anniversary last weekend in Breckenridge - were awe-inspiring. But this year's masterpiece of a festival from Laura and Bill Lodge felt distinctly like it was not just about what has been produced by some of the most experimental brewers in America but what will be coming from the industry's boundary-pushers for years to come.

New styles, new flavors and new brewers abounded - a trend exacerbated by the number of cutting-edge beer makers who asked to come out and pour this year, adding to the geographical and taste diversity in the hall. And if one walked away with a few predictions as to what more brewers will be doing after tasting their noteworthy brethren, here is what I dare say they would be.

1) Bold adjuncts in stouts are once again on the rise
If there was a standout beer of the festival, it was Wiley Roots Brewing's Du Hast Cake, a 12% ABV bourbon-barrel-aged German chocolate cake imperial stout that tasted every bit as lusciously desert-like as it sounds - but without a hint of alcohol residue, making it both scrumptious and dangerous. And while pastry stouts have become one of the scapegoats of the "beer doesn't taste like beer anymore" crowd, the only pushback I received when proclaiming this the best beer was from folks who argued Outer Range's Timber from Vanilla Imperial Stout imbued even more awakening flavors.

Indeed, Fremont Brewing's Coconut Edition B-Bomb Imperial Winter Ale and 4 Noses Brewing's Toasted Coconut BMF Imperial Stout proved also how much unique flavor could be added to otherwise big and boozy beers by throwing in something that snubs the Reinheitsgebot. And New Holland Brewing's Dragon's Milk Reserve Oatmeal Cookie tasted of vanilla, cinnamon and brown sugar - not at all of its 11% ABV holdings.

2) Fruit in a sour? How about vanilla, or an Asian soy add-on?
There were, as always, a profusion of both pucker-worthy and smooth-settling sour ales on display at the festival, but there was nothing as remarkable as Purpose Brewing's Itadakimasu #032, which infused the sour rice wine Ponzu into its body and created an entirely new flavor profile. Partly salty and thicker in body than most sours, this is not a beer that will appeal to everyone but absolutely was the gutsiest and most high-risk/high-reward offering of the festival for those willing to drink a beer and mull over it for a significant time, and Purpose owner/brewer Peter Bouckaert (shown below listening to Black Project owner James Howat at a festival seminar) should be commended for his boldness.

Slightly less edgy but no less satisfying was the Language of Origin Sour Ale from Speciation Artisan Ales of Michigan, aged in gin barrels with strawberry, hibiscus, vanilla and lemon. That radical combination melded, and also allowed its ingredients to stand out in alternating turns as it rolled over your taste buds, and it created something that went far beyond the standard definition of a sour ale.
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3) If going traditional in your sour adjuncts, ignore the typical barrels
Wine, whiskey and other traditional barrels will continue to be used, and for good reason, in aging specialty ales. But Big Beers showed exactly what one could do by reaching further afield for a supply of aging vessels.

Broken Compass Brewing of Breckenridge poured a Port-Barrel-Aged Foreign Export Stout that used tart cherries to impart a pleasantly acidic nose into a sweet and dark body with a pointedness that was lacking from other adjunct ingredients. Meanwhile, Transient Artisan Ales of Michigan put out an Absinthe Anachronism Wild Ale that gave a cherry sweetness to a funky beer without any pucker and made you think twice about its process.

4) The hazy/tropical IPA is about to get doubled
Big Beers is not as much of a showcase for hop bombs as other festivals, but after sucking down 11% ABV imperial stouts for much of the day, you certainly get to know which IPA offerings can break through even the most overused of taste buds.

Oskar Blues Brewery, which produced arguably the most eye-opening beer of 2019 with its Can-O-Bliss Tropical IPA, ramped up the alcohol in its new Double Can-O-Bliss but still managed a creation that focuses on Polynesian fruit without the burn that sometimes accompanies higher ABV. Meanwhile, Outer Range Brewing of Frisco doubled the dry-hopping in its DDH Leave a Trail IPA and made a beer so juicy and bursting with melon hops that it created a new sub-genre: A hazy for people who like big hazies.

5) Clean saisons and gueuzes are the new experimental

For all the giant, genre-expanding beers poured at Big Beers, some of the subtlest standouts remained cleaner beers of Belgian origin that serve as a reminder why the country's influence should be honored so passionately.

Take, for example, the Atom Brewing 3-Year Blend Anniversary Wild Ale, which not only impresses with its smoothness but with the brewery's ability to find just the right examples of beers that meld into creations that are better than their stand-alone origins. Similarly, Referind Brewing's Le Differend Gueze is wonderfully tart but is more a better version of something that's been made for hundreds of years than a new category of the style.

6) Your journey no longer ends at the exit sign at Big Beers
One of the most brilliant strokes the Lodges came up with this year was the idea of raffling off boxes of 12 beers donated by festival participants. That allowed visitors to take home beers that aren't able to be found in their states - and for the non-profit event to raise more money for groups like the Breckenridge Mountain Rotary.

I won one of those boxes (shown below) after buying a lot of raffle tickets to support the cause. I've been working my way through beer from the likes of Mad Fritz Brewing, Side Project and the aforementioned New Holland Brewing, among others. And it's an idea, for tasting and charitable purposes that a lot of beer festivals should consider.

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Sunday, May 29, 2016

 
The Time of the Saison



Tucked back into the corner of Saturday's Funk and Farm Fest at Nighthawk Brewery, Trinity Brewing and Mu Brewery had an intriguing duo of beers on tap. Trinity was pouring a Saison Delivery - made with apples and grains of paradise and aged in chardonnay barrels - that was blowing everyone away by being tart and fruit-forward without being either blistering or cloying. And Mu was serving up a Key Lime Saison with Brett aged in Merlot barrels that, if slightly less polished, was a bold experiment at amping up both the sweetness and the pucker factor.

While different, the two beers offered great examples of just how many exciting directions the world of saison brewing is going. Surrounding them were farmhouse ales that tasted vaguely of cotton candy that cut through your taste buds with a sour golden bite and that clashed a sharp tartness with the big taste of the whiskey barrel in which they were aged - each one worthy of kudos.













To think, when New Belgium tried to introduce a saison 20 years ago - a story I recounted in my book, "Mountain Brew" - beer drinkers didn't take to it because they largely weren't ready for the traditional Belgian style to blend with the rising flavors of hops and roasted barley in America. Now no major brewery is without one in its portfolio, and the best are rolling out more and more variations - Great Divide's full, fruity and slightly flowery Nadia Kali hibiscus saison being the latest really tasty one to hit the market - just to keep up with demand.

To what should we attribute the saison boom? A big factor is the demand among beer geeks for more that is different and cutting edge. Saison as a style allows for greater experimentation that most, presenting a slightly estery, slightly spicy base that lends itself to a ton of different adjuncts. But it also is a medium-bodied beer that can appeal to a wide range of drinkers, depending on what is thrown into the brew kettle.

I think back to my birthday party in 2015, when I asked friends to bring a saison and we did a blind taste testing to determine our favorite. That a Casey Brewing and Blending Saison won the general poll was not a surprise, as the Glenwood Springs beer auteur has managed to craft a version of the style that is bright and slightly tart and excites the taste buds continually. But the variety of saisons that scored high in our tallies - from Epic's Sour Apple Saison to Three Barrel's peppery Pemba Sherpa Saison - made it clear that there was a lot to like on the market.

Similarly, Nighthawk's farmhouse festival left few stones un-turned. Wynkoop's Forethought Barrel-Aged Sour Saison was a jolting and fascinating combination of strong flavors. Atom Brewing's Arlo farmhouse-inspired ale presented a huge sweetness developed surprisingly through open-air fermentation. Spangalang's Ethel, a sour saison, was bright and eye-opening without being punishing on the taste buds.

There is a lot to enjoy in the greater saison field today. But what is more exciting is the nearly blank slate from which brewers can develop more creative and more challenging saison varieties to come. The style may have originated with farm owners in Belgium and France. But what American brewers are doing with it is taking it to a whole new level.

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